As the music unfolds, composition and improvisation seem to flow together into a dream-like continuum where jazz and new music meet. To reach this place, Delbecq and Houle have worked for years extending the techniques of their instruments and creating their own language of musical gestures for purposes of spontaneous musical composition. Delbecq’s contemplative piano “fabrics” draw on Cage, Ligeti, and African timbres and polyrhythms, and are characterized by unexpected juxtapositions and patternings. Houle’s approach has been inspired by Evan Parker and clarinetist William O. Smith’s multi-layered sonic explorations, and combines a thoroughgoing reinvention of the clarinet’s expressive possibilities with an exceptional melodic lyricism. The duo’s rapport results in a highly ordered yet intuitive discourse, echoes and undercurrents of other music continually opening up new directions More about the speakers:

Clarinetist François Houle has followed a musical path few others have travelled. He is a true innovator and pioneer of the instrument, opening sonic vistas in the most imaginative ways possible. François has released CDs on several labels and has toured internationally. He has been listed on multiple occasions by Downbeat magazine as a “Talent Deserving Wider Recognition” and was hailed as a “Rising Star” in Downbeat’s Critics’ and Readers’ Polls. He is “a spectacularly versatile clarinetist who appears to have no limitations stylistically or sonically” (Mark Swed, LA Times).

Benoît Delbecq is a multi-awarded Parisian pianist and composer, a trendsetter who persists in developing his ideas in a very rhythmic and multi-layered approach, bringing the soul of jazz to John Cage’s prepared piano. Delbecq may prepare just a few strings with wood sticks, then sit at the piano transforming the instrument into a percussion-and-piano ensemble.